Atelje 212 is one of Belgrade’s most iconic theatres, renowned for its avant-garde spirit and bold repertoire. Founded in 1956, it began with a groundbreaking performance of Goethe’s Faust and quickly gained international attention for staging Samuel Beckett’s Waiting for Godot—a play banned across Eastern Europe at the time. Located on Svetogorska Street, the theatre was designed by Bojan Stupica and later managed by Mira Trailović, whose visionary leadership helped shape its identity. With a main stage seating 386 and a smaller basement theatre, Atelje 212 has hosted generations of Yugoslav and Serbian acting legends. Its repertoire spans contemporary drama, experimental works, and international classics, maintaining a reputation for artistic daring and cultural relevance. A statue of Zoran Radmilović as King Ubu stands at the entrance, symbolizing the theatre’s commitment to creative freedom. Today, Atelje 212 remains a vital hub for progressive performance and a cornerstone of Belgrade’s cultural life.
Belgrade SerbiaAtelje 212 is a renowned theater located at Svetogorska Street 21 in the heart of Belgrade's Stari Grad district. Established in 1956, it quickly became famous for its avant-garde and contemporary drama performances, establishing itself as one of the most prestigious theaters in Serbia and the Balkans. The theater sits near the vibrant Republic Square and the Youth Centre, surrounded by cultural landmarks, cafes, and shops, making it an integral part of Belgrade's dynamic city center. Visitors can enjoy the rich theatrical repertoire presented on two stages within a modernized building, which includes a retractable roof for summer performances. Atelje 212's location offers easy access to other cultural venues and historic sites, placing it at the cultural pulse of the city.
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